Out of the Blue- Plötzlich wird alles Anders

ich freue mich auf das programm & hoffe, alles passt so gut zusammen wie ich’s mir vorstelle…

im
Directors’ Lounge 2012 (im „>Naherholung Sternchen am 13.02.2012 um 18:15 Uhr)

Sirenen- Lutz Garmsen, ca. 6 Min. DVD 2012

Fury- Tanya Ury, 16 Min. DVD 2009

Terrorsounds- Jakob Kirchhein & Teresa Delgado, 6 Min. DVD 2010

Don’t Look Back/Labirinto- Melissa Delius & Gustavo Jahn, 7 Min. 16mm, 2009-2012

Naturfilm- Tsuyoshi Harada, 14 Min. 16mm 2007

PFFFHP TT!- Deborah S Phillips, 5 Min. 16mm 2012

Viele verschiedene Veranstaltungen demnächst

Ab Ende Januar fängt eine neue hektische Phase mit viele Veranstaltungen an. Nach Dresden (26.01 um 19:30/Lagerhalle im Rahmen der Schmalfilmtage, stelle ich Mitte Februar ein Programm für’s Directors’ Lounge zusammen dieses Jahr im Naherholung Sternchen. Anfang März (wahrscheinlich am 1.03) gibt es wieder PROJEKTIONEN in kunstraum t27- Thema „unbewusst/automatisches Zeichnen/Neosurrealismus. AM 21. 03 veranstalten Paiman Devarifard & ich wieder NOROUZ im Café Broschek, Weichselstr. am 30.03 ist Vernissage im t27: zusammen mit Lars Mauermaier (Café Broschek) kuratiere ich eine Ausstellung, ESSENziell. Höchstwahrscheinlich werden die PROJEKTIONEN zur Ausstellung am 19. April sein./ Lots of events coming up when i get back from Dresden…

am 26. Januar in Dresden

Im Rahmen der schmalfilmtage Dresden werden ein Paar Filme von mir, von Dagie Brundert und mehr gezeigt zum Thema >“Foodfilm“
von mir sind (alle 3 sind auf 16mm): BREAD, CAPSICUM & ein Film aus unsere LABORATORIUM damals, RAGOUT (habe ich auch mitgewirkt. Regie: T. Bartels & M. Hansen)…

zum Programm „mail³ art“

ich habe für den Abend jetzt auch ein Fragment zum Thema realisert. 31 Sekunden animierte Verpackungsmaterial…
Jaap Pieters kommt extra aus Amsterdam um an dem Abend teilzunehmen!
Es gibt auch Filme im Programm, die von weit her hingeschickt wurden sind: Jeanette Muñoz (Zürich) und Jodie Mack (Dartmouth, USA) haben Filme für den Abend hingeschickt. Der Film von Len Lye (in England in 1935 realisert) durfen wir dank Arsenal Experimental (Verleih) zeigen…
Unter http://www.kunstraumt27.de/vorschau.html ist das ganze Programm einsehbar oder projektionen-22.12

PROJEKTIONSabend zur Ausstellung „mail³ art“

am 22.12.2011 gibt es wieder einen PROJEKTIONSabend im kunstraum t27/kunstverein neukölln, diesmal zum thema „mail³ art“ mit filme & filmfragmente von len lye, bärbel freund & ute aurand, anja dornieden & juan-david gonzalez, jodie mack, jeanette muñoz, jaap pieters, & ramona welsh! mehr infos demnächst…

Hermannstraßenabend

Am 30.11 um 19:30 veranstalten wir einen Hermannstraßenabend im Rollberg
Ich lese „Folge mir!“ (von K. Schwarz) vor. George Migeot liesst sein „Umzug Petrischale Hermannstraße“ vor.
Wir zeigen mein Film HERMAN(N), 8 Min, 16mm stumm

Programme for the screening at International House, Philadephia 9 Nov at 7 pm

Wednesday, November 9, 2011 7pm

„The films are, on many levels, purely visual and acoustic experiences. What may be perceived as ‘incomprehensible’ probably is the connection to Jewish ritual therein, childhood experiences, as well as the common factor of appearing incomprehensible. This is a good thing: I would prefer to refer to this as something that makes the viewer pose questions, a sort of riddle.

Perhaps it’s a search for somewhere to call ‘home’ in the films? (or is this merely my interpretation?) „Places“ are a significant theme, as is a lack thereof. Temples, mosques, or the sky (or “the heavens”?) in Mosaïc. This “heaven” is not something from another reality; it is something longed for, a physical striving upwards, or even delirium?

Places – the promised land is not to be found in Israel, but, on the contrary, in the Hermannstrasse, a refernce to Herman, the artist’s mother. A red sky appears unexpectantly for an instant, over-exposed sequences, and views looking upwards, and the little boy who paddles across the street. This place is anything but a concrete location, neither is it heaven or any of the many places the artist has spent time in. The issue is one of the transformation of where one lives, transformation through montage, multiple exposures, making things transparent, culminations of bringing elements together.

The act of viewing becomes a sense of wonder, marvel, fascination with colour and light. And a sense of wondering what the riddle is about… Heide Schlüpmann

Deborah Phillips , artist and filmmaker, is based in Berlin. She studied Fine Arts, Painting and Film in Italy, the USA and in Germany. Her films, predominately animated shorts on 16mm, have been shown at festivals around the world. Her work was part of the Goethe Institut programme „German Experimental Films of the 1990s“. She has also published several „artist’s books“, created a number of site-specific installations, and participated in numerous international group and solo exhibitions. She is also active as a translator and curator of and exhibitions film programs. Her films include: Untitled Colourmation (1991-1992), Three (1993), Bread (1994), Purim (1996), Santoor (1998), Geographie (1999), Mosaïc (2001), Noor (2003), 71 (2005), Capsicum (2008) and most recently HERMAN(N) (2011). A complete list is at deborahsp.wordpress.com under „art“.

HERMAN(N)
2011, 16mm, 8 min., colour, silent
Although this part of Neukölln (a district in Berlin) has a reputation as a dangerous place, I see it, through golden late summer light, as an inviting place.
I have lived, for 10 years, on a side street of the Hermannstraße, first on the one side, then on the other. Gentrification has already commenced a few blocks north of where I live: there’s a gradual progression heading south on Hermannstraße; closer to Hermannplatz, things get busier. North of the famous square is as trendy as in many other parts of town now.
This is an attempt to make the different segments of this street palatable to viewers: it’s not a matter of relaying a message, but more a feeling of the place…

CAPSICUM
2008, 16mm, 8 min., colour, sound

I spent years as a girl fighting to be allowed to have a Bas Mitzvah and read from the Torah, like the boys. I was given a portion containing four weird lines about a perfect red heifer, out of context. I have, since then, identified with this cow. And I’ve thought about it while cooking, as an architectural student and as a woman who prefers blue to red…

71
Germany, 2005, 16mm, 8 min., colour, sound

«71» is guided by impressions and feelings of an artist during shooting: a feeling of absurdity that comes when one travels to the back of beyond without ever reaching anywhere.

NOOR
2003, 16mm, 6 min., colour, silent

NOOR or „Ner“ or light.
Light & colour induce hope.
This is composition reacting to a whinging zeitgeist, threatened with the
possibility of war.
A still-life in time, a means of having hope.
The Allam house in Esfahan was being renovated when we were there. It had
been damaged during the Iran-Iraq war.
Other footage was shot (super 8), in Berlin and in the Polish countryside.

BREAD
1994, 16mm, 4 min., colour, silent
Loosely based on Lewis Caroll’s Through the looking glass, BREAD is a series of metamorphoses. We pass through a table into a world of strange mutations: bread crumbs bounce and dance. At the end, gravity wins…

Programme 6 Nov

milleniumflyer

Millenium in November

I’ll be showing 3 different programmes in the US early November. the first to be announced (so far as I can tell)
is the screening on 6 November at Millenium Film Workshop. I will also give a lecture about multidisciplinary art & show 3 films at Rutgers University on 3 Nov as well as a slightly different programme at International House, Philadelphia on 9 November at 7 pm. More information will follow soon!!!